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Community Art Education Essay

Community Art Education The objective of this study is to answer the question of what are the conservative, liberal, and progressive philosophies undergirding the current (1990-present) debates in community arts education? Specifically, this study will address whom is and whom is not advocating for Arts education and why.

Timeline of Arts Education in the United States

The progressive era was a time involving political reform and social activism during the period between 1890 and sometime in the 1920s. The Progressive movement intended to purify the government through elimination of corruption in the government. Government was monopolized by mafia bosses and political machines. In addition, prohibition was supported by the majority of Progressive movement members. (Timberlake, 1970, paraphrased) The art teacher during the 1920s is reported to have been "contrarily imbued with the ph8ilosophy that creative work called for considerable freedom on the part of the individual." (Logan, 1955) The students were allowed creative freedom.

The philosophy of John Dewey was interpreted "brusquely and purposely in a more colloquial vein'. (Logan, 1955) The art that was taught was not of much value to students in furthering their education. During the 1930s art was taught for "arts sake." (Logan, 1955) During the 1930s it is reported "Many movements in art important to the design of our...

William Morris' arts and crafts movement, the art nouveau period, the cubist painting influence on early modernist furniture, the still-widening circle of influence from the German Bauhaus -- all of these in subtle measure have helped to create the "art in everyday life" of the nineteen-fifties." (Logan, 1955, p. 10) It is reported "However, the art education most readily associated with progressive education did not originate in Dewey's thought but in the writings and practices of such artist educators as Harold Rugg, Ann Shumaker, and Florence Cane [Rugg and Shumaker 1928]. The method was known as creative self-expression. The impetus for change came from the artist as a model for social reform rather than the scientist. Expressionism pervaded the arts of the time -- in the dance of Isadora Duncan and Martha Graham, the painting of Max Weber and John Marin, and the photography of Alfred Steiglitz." (Efland, 1990, p. 1) During the 1960s it is reported "there was great increase in at teachers and public schools offering at instruction, especially at the elementary level. The fortunes of art education were rising, and self-expression was the favored method of teaching. At the same time the progressive movement was on the wane and never regained the prestige and influence it had during the inner-war years. The journal Progressive Education ceased publication in 1957 .…

Sources used in this document:
Bibliography

Timberlake, JH (1970) Prohibition and the Progressive Movement 1900-1920.

Logan, Frederick M . Growth of Art in American Schools, New York: Harper & Brothers, 1955.]

Amburgy, Patricia M. "Culture for the Masses." In Framing the Past: Essays on Art Education, eds. Soucy, Donald, and Mary Ann Stankiewicz, Reston, Virginia: National Art Education Association, 1990.

Efland, A. (1990) Art Education in the Twentieth Century: A History of Ideas." In Framing the Past: Essays on Art Education, eds. Soucy, Donald, and Mary Ann Stankiewicz, Reston, Virginia: National Art Education Association, 1990.
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